KOOLHAAS: what about the role of women?
HADID: People ask me this question all the time. I really don’t know. There is a difference between men and women in Islam, but for work I’m not sure if it manifests itself. One of the liberating situations in my life was that there was no stereotype, and I didn’t really care what people thought and how I should dress and how I should behave. That really gave me a degree of freedom. I was kind of freaky, so it worked in both ways. In terms of whether the male and female brains operate differently, I’m sure they do, but I couldn’t say how. It depends on the degree of confidence your school or your parents gave you, and whether you’re male or female has tremendous impact on that. I think this affects women a lot in your careers—if you try different things it gives you possibilities to make it to the next step. Many women don’t have the encouragement and support they need to do that. It’s not about the way they think or their brain being different or whatever.
So afler almost a year and a half in India, what did you find there that you had not found in the West?
Allen Ginsberg: A more intimate awareness of the relation between people and God. Just the very notion of Ganesh with a noose in one hand and a rasgoolla in the other, and his trunk in the rasgoolla, riding a mouse…. Such an idea of a god, such a sophisticated, quixotic, paradoxical combination of the human and the divine, the metaphysical and the psychological! You don’t often get that in Christianity, except maybe in some esoteric Christianity. The idea of an entire culture suffused with respect for that mythology, that religion and its practices, that poor people could under- stand its sophistication and grant things that hard-headed West- erners are still trying to kill each other over. That was a revelation: how deeply the sense of a spiritual existence could penetrate everyday relations, the streets and street signs . . . Naga sadhus walking around naked—people who would have been arrested in America . . . or for that matter—I remember writing to Kerouac—everybody walking around in their underwear, in striped boxer shorts. What would seem outrageous or strange to Americans was just normal—it was hot and people wore very light cotton—it seemed so obvious. That showed me the absurd artificiality of some American customs. . . . And then just the notion of somebody being a businessman and then renouncing the world and being a sannyasi and going around with an intel- ligent expression looking for moksha, that was such a switch from the American notion of business, such a good model, but it doesn’t work for even Indians now. . . . A n d then the availability of ganja and its use in religious festivals and ceremonies was a great source of release for an American used to government dictatorship of all psychedelic drugs (even marijuana), to prohi- bitions, murders, beatings, corruption.8 At least in India there was some familiarity with what it was.
Why have you followed this path of Zen and tea?
Bruce Ginsberg: I have been on a path to deepen my experience of everything, to understand the moment before you think when the brain has already made the decision for nine tenths of all the things we do. We have an existence which doesn’t need thinking when we hand ourselves over to the moment.
Source : http://www.alainelkanninterviews.com/bruce-ginsberg/
Bruce Ginsberg is a South African farmer’s son and a Zen practitioner for 50 years who has immersed himself in Asian cultures and made a life journey through tea. He was Chairman of the Buddhist Society Trust from 1991-2012 and served on the United Nations Association Religious Advisory Committee alongside imams, rabbis, Hindu priests, and Christian bishops and academics in the interfaith field. He runs Dragonfly Tea, a family-owned, British tea company with a hundred year heritage of making artisanal teas.
Have you been changed by having so much success?
Paolo Sorrentino: Success didn’t change me, and I have never made big changes in my life. I am married to the same wife and I live in the same house. I am a self-contained person and I read very little of whatever it is they write about me. I have the same life that I had 20 years ago, and that’s a very good way to put boundaries on temptations. I didn’t change my life, and I still have the same dream that I had as an adolescent: “To Make a Film.” When I was a young man I was afraid that my dream could not be realised. Now I know that I can realise it, and this gives me the necessary serenity to write a novel or make a film.
Source : http://alainelkanninterviews.com/paolo-sorrentino/
Q: Do you think sex is better with love?
Mae West: Honey, sex with love is the greatest thing in life. But sex without love – that’s not so bad either. Sex is the best exercise for developing everything. It’s very good for the complexion and the circulation. I’ve always had the skin of a little girl. Go ahead touch it. [I touch her skin.] That’s all real. I didn’t ever have to lift anything.
Source : https://www.theguardian.com/theguardian/2007/sep/21/greatinterviews
Q: As Michael asks in the film: what is it to be human, to ache?
Charlie Kaufman : I don’t know. It’s hard to be human. I get angry at being human and at humans and I wish there was more kindness and I could be more kind and other people could be more kind. I get very rattled just in traffic. On the road, a certain combination of selfishness and aggression exists. I think it’s analogous to look at people in cars and people online because it is an anonymous situation where you get to act on these impulses without repercussions – unless you’re in an accident – and just to be mean. I just find it so upsetting.
I was driving last night on this quiet road and this person was driving towards me and had their lights on. I flashed them to let him know, not in a rude way, that I couldn’t see. And he or she turned her brights off immediately and then turned them right back on. It was like: ‘Screw you. Don’t tell me what to do. Fuck you.’ I can’t really figure out any other version that makes sense. It just puts all of my cortisol or some sort of adrenalin nightmare stuff coursing through my veins.
The converse is true too. When I see something that’s just kind, I find it the most incredibly moving thing. It just makes me relax and tear up. When someone looks at you warmly for a second as you pass them on the street – rather than just an obligatory nod – it gives you some sort of renewed faith.
Source : https://www.theguardian.com/film/2016/dec/16/charlie-kaufman-anomalisa-interview-donald-trump
Q: You talk a lot about the importance of curiosity. What’s the best way to promote it, especially in adults who may have lost some of the innate curiosity they had as children?
Neil : I think that if people learn something that empowers their decision making or their outlook on life, you can reignite the flames of curiosity. I try to do that in my Twitter stream. No one wants to be lectured to. Nobody wants to hear you dumb something down. So I toss out little biscuits of knowledge or wisdom or perspective. Just yesterday I tweeted, “The irresistible force beats the immovable object every time.” People asked why. The follow-up was, “Because a strong enough force will simply obliterate the immovable object, and you will no longer care about whether or not it moves.” That common philosophical conundrum has a physics answer. Another one is, “Which came first: the chicken or the egg?” The answer is based in biology: The egg came first, but it was laid by a bird that was not a chicken. I try to make sure that the best of my tweets have you thinking in a new way.
Source : https://hbr.org/2016/01/neil-degrasse-tyson