Stéphane told me that your new film was going to be about a young man that kills himself-no, that arranges for his own death by protest. And I replied, I find it very hard to believe that any character in a film by Bresson would kill himself for anything other than internal reasons.
Rober Bresson: You know, there are young people who kill themselves for this same reason that he does in my film. I think in the whole world things are going very badly. People are becoming more and more materialistic and cruel, but cruel in another way than in the middle ages. Cruel by laziness, by indifference, egotism, because they think only about themselves and not at all about what is happening around them, so that they let everything grow ugly, stupid. They are all interested in money only. Money is becoming their God. God doesn’t exist anymore for many. Money is becoming something you must live for. You know, even your astronauts, the first one who put his foot on the moon, said that when he first saw our earth, he said it is something so miraculous, so marvelous, don’t spoil it, don’t touch it. More deeply I feel the rotten way they are spoiling the earth. All the countries. Silence doesn’t exist anymore; you can’t find it. That, for me, would make it impossible to live. The way this young person wants to die — he doesn’t kill himself, himself—he makes himself be killed. The old Robin Hood people used to commit suicide with the help of friends. He kills himself for a big purpose.
All elite sportspersons earn a lot of money and, of course, they work hard for it. Recently I saw this movie called Pawns Sacrifice and Bobby Fischer has one dialogue that “Money is of extreme importance.”
Vishwanathan Anand: Bobby Fischer really opened the door for chess and he was the first player who really saw that money in sports was not just about earning your next meal for living. He though money was a proxy for your worth in the society. He thought such probably because he was from the US, because in USA if you want to impress people with your sports, you have to show that you have a higher first prize. Their first question tends to be ‘What’s going to be the first prize?’ It’s the way they compare, because obviously you won’t know about every person’s walk of life, but you will know how much they earn. Bobby Fischer saw it very clear, so his initial demands were seen as very confrontational, but it was probably because nobody saw it that way till that time, because what he demanded became a routine for players like rest of us and that’s how many players recall him. He changed the sport for the better of others
Source : https://www.news18.com/news/other-sports/interview-the-ever-dominating-viswanathan-anand-isnt-done-yet-1178799.html
Could you talk about the decision to be a poet?
Michael Ondaatje: The decision to be a poet was that I thought it would save my life. I was 18. I was in a new country. I was in Canada. I had a great teacher and I didn’t know who I was really. I was meeting poets my age. When I was in England the idea of becoming a writer seemed ludicrous and presumptuous. I wrote poetry for six or seven years, and gradually became interested in prose. I wrote The Collected Works of Billy the Kid, and began this odd monster of poems and weird photographs and prose, and the next book was Coming Through Slaughter, and I wanted to take whatever there was I loved in poetry into prose, which was essentially not saying everything. You put 70% down and then leave a lot of space for the reader to participate, and I wanted to have that sense in a novel as well.
Source : https://www.thehindu.com/books/michael-ondaatje-in-coversation-with-tishani-doshi-about-his-novels-especially-warlight/article24228381.ece
Did you enjoy the tingle of fear?
Sir Edmund Hillary: I think I found fear a very stimulating factor. I’m sure the feeling of fear, as long as you can take advantage of it and not be rendered useless by it, can make you extend yourself beyond what you would regard as your capacity. If you’re afraid, the blood seems to flow freely through the veins and you really do feel a sense of stimulation. If you can summon up your determination and motivation to overcome the fear, you seem to have more energy to tackle the problem and overcome it.
Source : http://content.time.com/time/world/article/0,8599,1703098,00.html
Is America in danger with Trump as President?
Toni Morrison: Yes. It’s a kind of corruption; and corrupt without embarrassment. Normally when you get a bad leader a whole lot of people are embarrassed. Some people are embarrassed about Donald Trump, but not enough. He lies every minute; everything he says. He is so ignorant, so vile, so shallow, so self-centred, egocentric, vengeful. Donald Trump is an old man, he’s 72, and he should stop being president. When I read Bob Woodward’s book Fear I said: “O God, it’s worse than I thought.” And I thought bad things.
Source : http://www.alainelkanninterviews.com/toni-morrison/
A grand unified question: What do hope and passion mean to you?
Jose Gonzalez: To hope something means to wish something, to imagine something and then wish for it to come true. It is something that I am involved with in writing lyrics – I hope – in aiming or articulating a utopia – even if it is not possible to reach. The idea of hoping something could be picturing yourself as an individual in a utopic, euphoric place – or just a comfortable place, whatever that means to anyone. Hope is nice. Depending on your utopia that could be a very strange or even a very negative thing when put into context with other people’s utopias… that is the interesting thing. Passion is the idea of engagement – of pursuing something in a positive move. Nice words. I like the combination. Nothing but hope and passion…
Source : https://nbhap.com/people/jose-gonzalez
You’ve been called a one-woman army. Why did you decide to do it all on your own?
Rima Das : I had no option but to do everything on my own. I had run out of money while making Antardrishti: Man With The Binoculars, my first feature film. So, when I started filming Village Rockstars I didn’t have the money to engage professionals. Besides, VR is a story about children, by children. This was a tough project. Working with non-actors, especially children who have never acted before, I knew I would need to spend time with them, feel their energy and conduct extensive workshops. This meant I couldn’t have a tight schedule in place. If I had engaged professionals, I would have naturally had to limit this exploration within a time frame and that would mean compromising on many aspects. The story began to develop as I started shooting, therefore I guess I needed the flexibility and freedom.
Source : http://www.vervemagazine.in/people/boss-lady-rima-das-on-village-rockstars-and-why-realism-is-intrinsic-to-good-cinema