You have said that haiku is not written spontaneously but is reworked and revised. Is this true of all your poetry? Why must the method for writing poetry differ from that of prose?
No, first; haiku is best reworked and revised. I know, I tried. It has to be completely economical, no foliage and flowers and language rhythm, it has to be a simple little picture in three little lines. At least that’s the way the old masters did it, spending months on three little lines and coming up, say, with:
In the abandoned boat,
That’s Shiki. But as for my regular English verse, I knocked it off fast like the prose, using, get this, the size of the notebook page for the form and length of the poem, just as a musician has to get out, a jazz musician, his statement within a certain number of bars, within one chorus, which spills over into the next, but he has to stop where the chorus page stops. And finally, too, in poetry you can be completely free to say anything you want, you don’t have to tell a story, you can use secret puns, that’s why I always say, when writing prose, “No time for poetry now, get your plain tale.”