Interviewer : The films you’ve made since beginning Histoire(s) du cinéma are more emotional than anything you’ve done before. Each feels like an attempt at reconciliation with cinema.
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Godard : Yes. I think, if I may say so, it’s like a sentence by Picasso I was once struck by: “I like to paint until the painting refuses me.” I would say that cinema won’t refuse me for a couple more films, a couple more decades, so it’s a reconciliation. Not with what I want, because I don’t know what I want, but with what I want from what I have. And to be more able to not ask for something else, but to do only what you really like, to deal with what you have. It’s a more peaceful attitude. When I’m doing a picture, I’m not angry anymore when it is not well done. Not to be angry that the picture should be this way or against another way, but just to do it your way.