You’ve been called a one-woman army. Why did you decide to do it all on your own?
Rima Das : I had no option but to do everything on my own. I had run out of money while making Antardrishti: Man With The Binoculars, my first feature film. So, when I started filming Village Rockstars I didn’t have the money to engage professionals. Besides, VR is a story about children, by children. This was a tough project. Working with non-actors, especially children who have never acted before, I knew I would need to spend time with them, feel their energy and conduct extensive workshops. This meant I couldn’t have a tight schedule in place. If I had engaged professionals, I would have naturally had to limit this exploration within a time frame and that would mean compromising on many aspects. The story began to develop as I started shooting, therefore I guess I needed the flexibility and freedom.
Source : http://www.vervemagazine.in/people/boss-lady-rima-das-on-village-rockstars-and-why-realism-is-intrinsic-to-good-cinema
Have you been changed by having so much success?
Paolo Sorrentino: Success didn’t change me, and I have never made big changes in my life. I am married to the same wife and I live in the same house. I am a self-contained person and I read very little of whatever it is they write about me. I have the same life that I had 20 years ago, and that’s a very good way to put boundaries on temptations. I didn’t change my life, and I still have the same dream that I had as an adolescent: “To Make a Film.” When I was a young man I was afraid that my dream could not be realised. Now I know that I can realise it, and this gives me the necessary serenity to write a novel or make a film.
Source : http://alainelkanninterviews.com/paolo-sorrentino/
Q: What qualities does a first film need for it to be a success?
image source : internet
Kiarostami : What convinced me that my first film was a success was that it was recognised in a festival and that it was selected for the award for best short film. For me, that was the criterion of success. Today, in retrospect, I do not think that a good film is a film that wins a prize. Nor do I think that a good film is one that draws a big audience or that gets positive reviews from the critics. I think that the determining criterion is its sustainability. A good film is one that lasts, that history deems worthy of staying with us. I do not remember who set this time frame at thirty years. Whoever it was said that after thirty years we can judge whether a film is sustainable, whether we even know if it still exists or if it has disappeared.
Source : http://www.festival-cannes.fr/en/article/61076.html